REPUBLIC OF KOREA: Exploring the liminal space at the threshold of realty and simulation, original and replica, fact and fake.
Architecture
GERMANY: Reworking the traditional contact sheet on a grand scale, Thomas Kellner makes architecture dance.
UNITED KINGDOM: Here, in Part Two of this extended interview with Karen Knorr, we discuss her twenty-first century imagery exploring myth, power, and postcolonial identity at the intersection of nature and culture.
RUSSIA: Quiet meditations on the confluence of memory and experience that seek the redemptive potential of landscape to translate space into place and loneliness into restorative solitude.
MEXICO: Stories of an irrepressible archaeology and exhausted modernism; of rampant urban expansion and sublime natural grandeur.
AUSTRALIA: David Stephenson’s photographs are about very big ideas: the endless Antarctic icecap; the vastness of the heavens; the great domes of European architecture, and the luminous excesses of the modern metropolis.
ARGENTINA: An artist and inventor who builds cameras to capture both space and time: from brooding art deco architecture to mind-bending aerial imagery and the world’s longest continuous photographic negative.
PERU: Lyrical images that find a melancholy beauty in dilapidation and enfold maternal wisdom in pictorial fables.
POLAND: Atmospheric images of a social, political, and economic landscape that has changed radically over the past sixty years.
AUSTRALIA / ICELAND: Haunting images of natural, urban, and industrial landscapes that rekindle a mythical past or spark ethical speculation about the future.
CANADA: With well over 100,000 images and millions of possible interconnections, Luminous-Lint offers a near-infinite range of ways to pursue the study of photographic history.
URUGUAY: Delicately poetic images printed sustainably without inks or chemicals, using naturally occurring plant materials.
BELGIUM: The Belgian spirit of whimsical individuality found hiding in plain sight at the edge of suburbia.