URUGUAY: Delicately poetic images printed sustainably without inks or chemicals, using naturally occurring plant materials.
Found Objects
USA: Photography, painting, stitching, and layering combine in the delicate work of this visual storyteller whose narratives echo the fluid, reconstructive nature of memory.
ARGENTINA: A hybrid approach to the photographic that digs deep into the complex relationship between culture and nature, decay and renewal.
USA: Repurposing their household possessions to create a mandala or build a spaceship, Stephan Hillerbrand and Mary Magsamen use photography, video, performance and installation to explore the paradoxes of the American Dream.
REPUBLIC OF KOREA: Bohnchang Koo finds in the simplest of objects and surfaces a nuanced expression of traditional Korean values of humility, practicality, and acceptance of the imperfect nature of being.
AUSTRALIA: Photographic tableaux that bring new life to the artefacts of historical and natural-history museums nationally and internationally.
SOUTH AFRICA: With a unique visual signature, Roger Ballen’s existential psychodramas have maintained their uncompromising independence, vividly capturing the imagination of generations over five decades.
COLOMBIA: In addressing the trauma resulting from the ongoing multilateral armed conflict in her country, Erika Diettes focuses not on violence but on bearing witness to the grief of survivors.
UNITED KINGDOM: A forensic examination of plants, zoological specimens, snail trails, and nylon stockings that finds poetry in precision and unexpected grandeur in the mundane.
URUGUAY: An artist, chemist, craftsman, essayist, poet, and teacher, who imbues photography with a newfound physical and philosophical dimension.
AUSTRALIA: With a subtle insistence, Marian Drew’s still-life and light-painting images question how we might inhabit and share the natural world in a sustainable and equitable way.
ARGENTINA: Memories of the Dirty War starkly visualised by one of the survivors of the regime’s Clandestine Centres of Detention and Torture.
CANADA: Casting a critical but amiable eye over the medium in acts of ‘becoming photography’.
USA: Exploring the interplay of context and desire, and the evolving ways in which desire might be reconciled with an initially hostile environment.
CANADA: Delicate still-life images that capture a sense of tranquillity while celebrating the small and fleeting things in life.
CANADA: With well over 100,000 images and millions of possible interconnections, Luminous-Lint offers a near-infinite range of ways to pursue the study of photographic history.
USA: With an emphasis on the dignity of all living things, these lo-fi collage works seek to emphasise harmony and our shared human nature, free from judgement.
FINLAND: Landscapes, ice, and flea-market clothing and fabrics come together in an unusual aesthetic and conceptual marriage – part myth, part speculation.
BOSNIA / AUSTRALIA: Darkly beautiful images that use alternative photographic processes to convey the ultimate ambiguity of life as experience.
AUSTRALIA: An artist who uses generative computer software to autonomously breed art-works while he is sleeping.
CHINA: Reflections on the meanings and value of family photo archives in traditional homes in Shanxi Province.