REPUBLIC OF KOREA: Constructing from the catalogue of British oil painting ironic self-portraits that situate the alienated Asian man in the midst of Britain’s aristocratic past.
Outsider
GHANA: With few resources and no connections into the wider art-world, Nana Frimpong Oduro has developed a distinctive photo-art practice gaining recognition internationally.
IRAN / AUSTRALIA: Poetically perceptive imagery that engages the layers of displacement, difference and marginality that define what it means to be ‘other’.
RUSSIA / SERBIA: Three visions of the future: current harbingers of isolation, relics of a forgotten race into space, and a speculative evocation of post-human bio-augmentation…
SOUTH AFRICA: With a unique visual signature, Roger Ballen’s existential psychodramas have maintained their uncompromising independence, vividly capturing the imagination of generations over five decades.
IRAN: Deeply poetic imagery that speaks to complexity of grieving through the simple arrangement of objects, of alienation through the filtering of daily denial.
ITALY: Spending extended periods with poor and itinerant families, Ciro Battiloro discovers, beneath the domestic discomfort and social neglect, a tenacious humanity and a love that turns “despair into delicate sweetness”.
AUSTRALIA: Documenting the dysfunctional, the dispossessed, and the dogged hope that lingers amid the ashes of failure.
URUGUAY: An artist, chemist, craftsman, essayist, poet, and teacher, who imbues photography with a newfound physical and philosophical dimension.
CANADA: A fifteen-year project that may well be the most extensive photographic documentation of Hutterite culture ever produced.
CONGO: Eccentric, impromptu performances set in the warlord-controlled villages of the Democratic Republic of Congo that challenge the established conventions of humanitarian representation.
VIETNAM: Focusing on people at the margins of society, these relaxed domestic moments explore, without sensationalism, the intimate companionship that is a foundation of our shared human experience.
UNITED KINGDOM: Going beyond the clichés and prejudices about homelessness by facilitating each participant to create their own self-portrait.
USA: With an emphasis on the dignity of all living things, these lo-fi collage works seek to emphasise harmony and our shared human nature, free from judgement.
ROMANIA: a community of homeless people come together to find companionship, shelter and a degree of mutual sustainability in a network of tunnels under the city of Bucharest.
PERU: Art and Nature entangle the body in images that speak of the camouflage adopted by an outsider.
BANGLADESH: Asia’s longest-running photo festival, founded on a powerful vision of social justice and driven by a tenacious dynamism, it forms one arm of a tripartite structure including a news picture agency and a media school.